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Under The Dome: A Novel

On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when — or if — it will go away.

Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens — town newspaper owner Julia Shumway, a physician’s assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing — even murder — to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn’t just short. It’s running out.
Amazon Exclusive: Guillermo del Toro and Chuck Hogan Reviews Under the Dome

Guillermo del Toro and Chuck Hogan share their enthusiasm for Stephen King’s thriller, Under the Dome. This pair of reviewers knows a thing or two about the art of crafting a great thriller. Del Toro is the Oscar-nominated director of international blockbuster films, including Pan’s Labyrinth and Hellboy. Hogan is the author of several acclaimed novels, including The Standoff and Prince of Thieves, which won the International Association of Crime Writer’s Dashiell Hammett Award in 2005. The two recently collaborated to write the bestselling horror novel, The Strain, the first of a proposed trilogy. Read their exclusive Amazon guest review of Under the Dome:

The first thing readers might find scary about Stephen King’s Under The Dome is its length. The second is the elaborate town map and list of characters at the front of the book (including “Dogs of Note”), which sometimes portends, you know, heavy lifting. Don’t you believe it. Breathless pacing and effortless characterization are the hallmarks of King’s best books, and here the writing is immersive, the suspense unrelenting. The pages turn so fast that your hand–or Kindle-clicking thumb–will barely be able to keep up.

You Are Here.

Nobody yarns a “What if?” like Stephen King. Nobody. The implausibility of a dome sealing off an entire city–a motif seen before in pulp magazines and on comic book covers–is given the most elaborate real-life alibi by crafting details, observations, and insights that make us nod silently while we read. Promotional materials reference The Stand in comparison, but we liken Under The Dome more to King’s excellent novella, The Mist: another locked-door situation on an epic scale, a tour-de-force in which external stressors bake off the civility of a small town full of dark secrets, exposing souls both very good…and very, very bad.

Yes, “The Monsters Are Due on Maple Street,” but there is so much more this time. The expansion of King’s diorama does not simply take a one-street fable and turn it into a town, but finds new life for old archetypes, making them morally complex and attuned to our world today. It makes them relevant and affecting once again. And the beauty of it all is that the final lesson, the great insight that is gained at the end of this draining journey, is not a righteous 1950’s sermon but an incredibly moving and simple truth. A nugget of wisdom you’ll be using as soon as you turn the last page.

This Is Now.

Along the way, you get bravura writing, especially featuring the town kids, and a delicious death aria involving one of the most nefarious characters–who dies alone, but not really–as well as a few laugh-out-loud moments, and a cameo (of sorts) by none other than Jack Reacher. Indeed–whether during a much-needed comfort break, or a therapeutic hand-flexing–you may find yourself wondering, “Is this a horror novel? Or is it a thriller?” The answer, of course, is: Yes, yes, yes.

“…the blood hits the wall like it always hits the wall.”

It seems impossible that, as he enters his sixth decade of publishing, the dean of dark fiction could add to his vast readership. But that is precisely what will happen…when the Dome drops.

Now Go Read It. –Guillermo Del Toro and Chuck Hogan

The Story Behind the Cover
Click on image to enlarge

The jacket concept for Under the Dome originated as an ambitious idea from the mind of Stephen King. The artwork is a combination of photographs, illustration and 3-D rendering. This is a departure from the direction of King’s most recent illustrated covers.

In order to achieve the arresting image for this jacket, Scribner art director Rex Bonomelli had to seek out artists who could do a convincing job of creating a realistic portrayal of the town of Chester’s Mill, the setting of the novel. Bonomelli found the perfect team of digital artists, based in South America and New York, whose cutting edge work had previously been devoted to advertisement campaigns. This was their first book jacket and an exciting venture for them. “They are used to working with the demands of corporate clients,” says Bonomelli. “We gave them freedom and are thrilled with what they came up with.”

The CGI (computer generated imagery) enhanced image looks more like something made for the big screen than for the page and is sure to make a lasting impact on King fans.

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Inferno: A Novel

In his international blockbusters The Da Vinci Code, Angels & Demons, and The Lost Symbol, Dan Brown masterfully fused history, art, codes, and symbols. In this riveting new thriller, Brown returns to his element and has crafted his highest-stakes novel to date.

In the heart of Italy, Harvard professor of symbology Robert Langdon is drawn into a harrowing world centered on one of history’s most enduring and mysterious literary masterpieces . . . Dante’s Inferno.

Against this backdrop, Langdon battles a chilling adversary and grapples with an ingenious riddle that pulls him into a landscape of classic art, secret passageways, and futuristic science. Drawing from Dante’s dark epic poem, Langdon races to find answers and decide whom to trust . . . before the world is irrevocably altered.

Amazon Exclusive: Inside Inferno

Explore the sights of Inferno alongside Robert Langdon in this exclusive first look at Dan Brown’s latest thriller. 1

As Langdon continued on toward the elbow of the square, he could
see, directly ahead in the distance, the shimmering blue glass dial of the
St. Mark’s Clock Tower—the same astronomical clock through which
James Bond had thrown a villain in the film Moonraker.

2

The Tetrarchs statue was well known for its missing foot, broken
off while it was being plundered from Constantinople in the thirteenth
century. Miraculously, in the 1960s, the foot was unearthed in Istanbul.
Venice petitioned for the missing piece of statue, but the Turkish authorities
replied with a simple message: You stole the statue—we’re keeping our
foot.

  3

Amid a contour of spires and domes, a single illuminated facade dominated
Langdon’s field of view. The building was an imposing stone fortress
with a notched parapet and a three-hundred-foot tower that swelled
near the top, bulging outward into a massive machicolated battlement.

4

Langdon found himself standing before a familiar face—that of Dante Alighieri.
Depicted in the legendary fresco by Michelino, the great poet stood before
Mount Purgatory and held forth in his hands, as if in humble offering,
his masterpiece The Divine Comedy.

 

Amazon Exclusve: Additional Reading Suggestions from Dan Brown

The Divine Comedy: Volume 1: Inferno—(Penguin Classics) The Singularity Is Near: When Humans Transcend Biology—Ray Kurzweil (Author) Brunelleschi’s Dome—Ross King (Author) The Lives of the Artists Volume 1—Giorgio Vasari (Author), George Bull (Translator) The Book Of Symbols: Reflections On Archetypal Images—ARAS  

Q&A with Dan Brown

Dan Brown

Q. Inferno refers to Dante Alighieri´s The Divine Comedy. What is Dante’s significance? What features of his work or life inspired you?

A. The Divine Comedy—like The Mona Lisa—is one of those rare artistic achievements that transcends its moment in history and becomes an enduring cultural touchstone. Like Beethoven’s Ninth Symphony, The Divine Comedy speaks to us centuries after its creation and is considered an example of one of the finest works ever produced in its artistic field. For me, the most captivating quality of Dante Alighieri is his staggering influence on culture, religion, history, and the arts. In addition to codifying the early Christian vision of Hell, Dante’s work has inspired some of history’s greatest luminaries—Longfellow, Chaucer, Borges, Tchaikovsky, Liszt, Monteverdi, Michelangelo, Blake, Dalí—and even a few modern video game designers. Despite Dante’s enduring influence on the arts, however, most of us today have only a vague notion of what his work actually says—both literally and symbolically (which, of course, is of great interest to Robert Langdon). A few years ago, I became very excited about the prospect of writing a contemporary thriller that incorporated the philosophy, history, and text of Dante’s timeless descent into The Inferno.

Q. Where did do your research for Inferno? How long did you spend on it?

A. Researching Inferno began with six months of reading, including several translations of The Divine Comedy, various annotations by Dante scholars, historical texts about Dante’s life and philosophies, as well as a lot of background reading on Florence itself. At the same time, I was poring over all the new scientific information that I could find on a cutting edge technology that I had decided to incorporate into the novel. Once I had enough understanding of these topics to proceed, I traveled to Florence and Venice, where I was fortunate to meet with some wonderful art historians, librarians, and other scholars who helped me enormously.

Once this initial phase of research was complete, I began outlining and writing the novel. As is always the case, when a book begins to take shape, I am drawn in unexpected directions that require additional research. This was also the case with Inferno, which took about 3 years from conception to publication.

With respect to the process, the success of these novels has been a bit of a Catch-22. On one hand, I now have wonderful access to specialists, authorities, and even secret archives from which to draw information and inspiration. On the other hand, because there is increased speculation about my works in progress, I need to be increasingly discreet about the places I go and the specialists with whom I speak. Even so, there is one aspect of my research that will never change—making personal visits to the locations about which I’m writing. When it comes to capturing the feel of a novel’s setting, I find there is no substitute for being there in the flesh…even if sometimes I need to do it incognito.

Q. What kind of adventure will Robert Langdon face this time? Can you give us any sneak peak at the new novel?

A. Inferno is very much a Robert Langdon thriller. It’s filled with codes, symbols, art, and the exotic locations that my readers love to explore. In this novel, Dante Alighieri’s ancient literary masterpiece—The Divine Comedy—becomes a catalyst that inspires a macabre genius to unleash a scientific creation of enormous destructive potential. Robert Langdon must battle this dark adversary by deciphering a Dante-related riddle, which leads him to Florence, where he finds himself in a desperate race through a landscape of classical art, secret passageways, and futuristic technology.

Q. What made Florence the ideal location for Inferno?

A. No city on earth is more closely tied to Dante Alighieri. Dante grew up in Florence, fell in love in Florence, and began writing in Florence. Later in life, when he was exiled for political reasons, the longing he felt for his beloved Florence became a catalyst for The Divine Comedy. Through his enduring poem, Dante enjoyed the “last word” over his political enemies, banishing them to various rings of Inferno where they suffered terrible tortures.

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The Heist: A Novel

NEW YORK TIMES BESTSELLER

From Janet Evanovich, #1 bestselling author of the Stephanie Plum novels, and Lee Goldberg, bestselling author and television writer for Monk, comes the first adventure in an electrifying new series featuring an FBI agent who always gets her man, and a fearless con artist who lives for the chase.
 
FBI Special Agent Kate O’Hare is known for her fierce dedication and discipline on the job, chasing down the world’s most wanted criminals and putting them behind bars. Her boss thinks she is tenacious and ambitious; her friends think she is tough, stubborn, and maybe even a bit obsessed. And while Kate has made quite a name for herself for the past five years the only name she’s cared about is Nicolas Fox—an international crook she wants in more ways than one.             
 
Audacious, handsome, and dangerously charming, Nicolas Fox is a natural con man, notorious for running elaborate scams on very high-profile people. At first he did it for the money. Now he does it for the thrill. He knows that the FBI has been hot on his trail—particularly Kate O’Hare, who has been watching his every move. For Nick, there’s no greater rush than being pursued by a beautiful woman . . . even one who aims to lock him up. But just when it seems that Nicolas Fox has been captured for good, he pulls off his greatest con of all: He convinces the FBI to offer him a job, working side by side with Special Agent Kate O’Hare.
 
Problem is, teaming up to stop a corrupt investment banker who’s hiding on a private island in Indonesia is going to test O’Hare’s patience and Fox’s skill. Not to mention the skills of their ragtag team made up of flamboyant actors, wanted wheelmen, and Kate’s dad. High-speed chases, pirates, and Toblerone bars are all in a day’s work . . . if O’Hare and Fox don’t kill each other first.

Praise for The Heist
 
“The Heist is the perfect title to carry on a trip to the beach. The laugh out loud humor that readers expect from Evanovich is in full force, and Goldberg’s crafty and elaborate writing is prominent. . . . Everyone will be eager for the next book in the series.”—Associated Press
 
“The action is fast-paced and the writing is first-rate, making The Heist an excellent choice for vacation reading.”—Huntington News

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Angel of Vengeance: The Novel that Inspired the TV Show Moonlight

Product Description
The novel that inspired the TV series Moonlight puts a twist on the classic Dracula vampire tale and blends it with Chandler hardboiled P.I. detective fiction.

LA-based P.I. and vampire Mick Angel has been hired by a beautiful red-headed burlesque dancer to find her missing sister. But the apparently simple case of a teenage runaway is soon complicated by drug dealers, persistent cops, murder, and Mick’s own past. Mick must learn the hard way what every vampire should know–nothing stays buried forever, especially not the past.

A Q&A with Author Trevor O. Munson

Q: What is Angel of Vengeance about?

Munson: Angel of Vengeance is a dark, fast-paced, modern noir crime novel about a hard-boiled LA-based private-dick who also just so happens to be a vampire. Turned back in the 1940’s, Mick Angel is a product of his own bygone era who now finds himself out of step with present day.

Q: How did you come up with the idea for the book?

Munson: I came up with the idea for Angel of Vengeance after rereading Dracula and following it up with a Raymond Chandler novel. Blending two genres I loved seemed like it would be a lot of fun to write.

Q: What influenced Angel of Vengeance?

Munson: The two biggest influences for the book were Raymond Chandler novels and the movie Angel Heart. Anyone who’s seen the movie will probably not have to look far to notice some distinct similarities to certain aspects of the story that unfolds in my novel. (P.S. It’s no accident that my characters’ first name is Mick, or his last name Angel…)

Q: Angel of Vengeance redefines and explores classic vampire lore, such as the ability to turn into a bat and seeing a reflection in a mirror. How did you approach creating your unique spin on vampires?

Munson: My basic approach in redefining classic vampire lore was to attempt to “noirify” the vampire mythology. I wanted to recreate the rules to reflect the themes you see repeated over and over in noir storytelling. This is why I had Mick take his blood with a needle, and sleep in a freezer to stave off his slow decay.

Q: Vampires continue to be a popular literary subject. How do you explain their popularity and continued relevance?

Munson: I think the idea of breaking death’s hold, and living on indefinitely as a beautiful and powerful being is understandably alluring to many of us. How cool would it be to have the time and resources to learn, do, see, and experience everything our world has to offer?

Personally, however, I see vampires as beautiful tragic creatures, who make a Faustian bargain to give up their humanity in order to become immortal. It is this trade-off that interests me most. It seemed fertile ground for discussing what it means to be human by exploring the cost of immortality and how a person might feel about what he has lost in the process.

Q: When Angel of Vengeance was adapted into the TV show Moonlight, what changes did the story and characters go through?

Munson: The novel is a much darker tale than that depicted in Moonlight. The mandate from CBS was that they loved the main character and the vampire world, but they wanted the show to have a strong romantic angle. As a result, the book was more of a ‘jumping off point’ for me and my co-creator Ron Koslow (Beauty and the Beast). What we came up with was in many ways, a lighter, more romantic version of the dark noir Los Angeles underbelly I had created in the book, but the series retained many of the novel’s themes ofredemption and transcendence.

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Angels: A Novel

The most critically acclaimed, and first, of Denis Johnson’s novels, Angels puts Jamie Mays — a runaway wife toting along two kids — and Bill Houston — ex-Navy man, ex-husband, ex-con — on a Greyhound Bus for a dark, wild ride cross country. Driven by restless souls, bad booze, and desperate needs, Jamie and Bill bounce from bus stations to cheap hotels as they ply the strange, fascinating, and dangerous fringe of American life. Their tickets may say Phoenix, but their inescapable destination is a last stop marked by stunning violence and mind-shattering surprise.

Denis Johnson, known for his portraits of America’s dispossessed, sets off literary pyrotechnics on this highway odyssey, lighting the trek with wit and a personal metaphysics that defiantly takes on the world.

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Fahrenheit 451: A Novel

Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.

Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.

When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.In Fahrenheit 451, Ray Bradbury’s classic, frightening vision of the future, firemen don’t put out fires–they start them in order to burn books. Bradbury’s vividly painted society holds up the appearance of happiness as the highest goal–a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, “Give the people contests they win by remembering the words to more popular songs…. Don’t give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.”

Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television “family,” imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.

Bradbury–the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man–is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. –Neil Roseman