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Sherlock Holmes: A Baker Street Dozen

It’s elementary that any Conan Doyle fan will want this splendid set of Sherlock Holmes mysteries—twelve timeless classics performed as radio theater, linked by violin music interludes.

The great Sir John Gielgud stars as the sleuth of Baker Street, with Ralph Richardson as his venerable companion, Dr. Watson, and Orson Welles as the nefarious Professor Moriarty. With three giants of the theater in such colorful roles, it’s no mystery why this collection is so popular.

Includes:
“The Blue Carbuncle” “A Case of Identity” “Charles August Milverton” “The Dying Detective” “The Final Problem” “The Golden Pince-Nez” “The Norwood Builder” “A Scandal in Bohemia” “The Second Stain” “The Six Napoleons” “The Solitary Cyclist” “The Speckled Band”
 

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The Wolf of Wall Street (Movie Tie-in Edition)

Soon to be a major motion picture directed by Martin Scorsese and starring Leonardo DiCaprio
 
By day he made thousands of dollars a minute. By night he spent it as fast as he could. From the binge that sank a 170-foot motor yacht, crashed a Gulfstream jet, and ran up a $700,000 hotel tab, to the wife and kids who waited at home and the fast-talking, hard-partying young stockbrokers who called him king, here, in Jordan Belfort’s own words, is the story of the ill-fated genius they called the Wolf of Wall Street. In the 1990s, Belfort became one of the most infamous kingpins in American finance: a brilliant, conniving, stock-chopper who led his merry mob on a wild ride out of Wall Street and into a massive office on Long Island. It’s an extraordinary story of greed, power, and excess no one could invent: the tale of an ordinary guy who went from hustling Italian ices to making hundreds of millions—until it all came crashing down.
 
WALL STREET JOURNAL BESTSELLER
 
“Raw and frequently hilarious.”—The New York Times
 
“A rollicking tale of [Jordan Belfort’s] rise to riches as head of the infamous boiler room Stratton Oakmont. . . . Proof that there are indeed second acts in American lives.”—Forbes
 
“A cross between Tom Wolfe’s The Bonfire of the Vanities and Scorsese’s GoodFellas . . . Belfort has the Midas touch.”—The Sunday Times (London)
 
“Entertaining as pulp fiction, real as a federal indictment . . . a hell of a read.”—Kirkus Reviews

From the Trade Paperback edition.