When Melisande Stokes, an expert in linguistics and languages, accidently meets military intelligence operator Tristan Lyons in a hallway at Harvard University, it is the beginning of a chain of events that will alter their lives and human history itself. The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money.Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London’s Crystal Palace–the world’s fair celebrating the rise of industrial technology and commerce. Something about the modern world “jams” the “frequencies” used by magic, and it’s up to Tristan to find out why.And so the Department of Diachronic Operations–D.O.D.O. –gets cracking on its real mission: to develop a device that can bring magic back and send Diachronic Operatives back in time to keep it alive–and meddle with a little history at the same time. But while Tristan and his expanding operation master the science and build the technology, they overlook the mercurial–and treacherous–nature of the human heart.Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible and take you to places–and times–beyond imagining.
Winner Loved it. Fascinating exploration of multiverses and magic in a humorous manner. Am a big fan of NS (most favorite Cryptonomicon and REAMDE; least favorite was Seveneves), and this one did not disappoint me. I could sense some difference in the writing style, likely due to the co-author, but it did not hurt (and even, I think, added some authenticity to the narration of the prime female protagonist). Also pleased with the ending, as I was expecting/fearing something more Hollywood.
A pretty good tale through time. Note: I am a Neal Stephenson fan.Â
you don’t need Neal to “show his math” like he usually does Wow.Â