Tag: Goldfinch

Audie Award Finalist, Solo Narration – Male, 2014

Audie Award Finalist, Literary Fiction, 2014

The author of the classic best-sellers The Secret History and The Little Friend returns with a brilliant, highly anticipated new novel.

Composed with the skills of a master, The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity.

It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love – and at the center of a narrowing, ever-more-dangerous circle.

The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

“The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind….Donna Tartt has delivered an extraordinary work of fiction.”–Stephen King, The New York Times Book Review

Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity.

It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.

The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.An Amazon Best Book of the Month, October 2013: It’s hard to articulate just how much–and why–The Goldfinch held such power for me as a reader.  Always a sucker for a good boy-and-his-mom story, I probably was taken in at first by the cruelly beautiful passages in which 13-year-old Theo Decker tells of the accident that killed his beloved mother and set his fate. But even when the scene shifts–first Theo goes to live with his schoolmate’s picture-perfect (except it isn’t) family on Park Avenue, then to Las Vegas with his father and his trashy wife, then back to a New York antiques shop–I remained mesmerized. Along with Boris, Theo’s Ukrainian high school sidekick, and Hobie, one of the most wonderfully eccentric characters in modern literature, Theo–strange, grieving, effete, alcoholic and often not close to honorable Theo–had taken root in my heart.  Still, The Goldfinch is more than a 700-plus page turner about a tragic loss: it’s also a globe-spanning mystery about a painting that has gone missing, an examination of friendship, and a rumination on the nature of art and appearances. Most of all, it is a sometimes operatic, often unnerving and always moving chronicle of a certain kind of life. “Things would have turned out better if she had lived,” Theo said of his mother, fourteen years after she died. An understatement if ever there was one, but one that makes the selfish reader cry out: Oh, but then we wouldn’t have had this brilliant book! –Sara Nelson