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Lord John’s Dilemma: Grenville Chronicles Book 2

When Lord John returns from the Battle of Waterloo nursing a serious wound and a case of melancholia, he is hopeful of beginning a happier phase in his life. Living with a wife and family in his native Lincolnshire would soothe his soul. His sights are set on the lovely Miss Lindsay, his country neighbor’s daughter. But to his mystification, he keeps getting distracted by her family’s governess – a little dab of a thing who is not at all what she seems. What is her secret?

His determination to solve the mystery of Miss Haverley begins to seriously undermine his interest in Miss Lindsay, who is confident he is about to offer for her. In the face of this, how can he pursue his interest in the family governess? Not only must he solve this dilemma, but he must discover what the petite woman is hiding.

When Miss Haverley begs him to resist satisfying his curiosity because such a course could bring her harm, his dilemma doubles. His enchantment turns to worry. He is more determined than ever to rescue her from whatever demons she is trying to escape, for Miss Haverley alone seems to have the power to stir him to passion and hope for a new life.

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Jasper Johns and Edvard Munch: Inspiration and Transformation

A rich study exploring the connections, creative processes, and themes shared by two world- renowned artists

At a crucial point midway through his career, American painter and printmaker Jasper Johns (b. 1930) looked to the art of Norwegian Expressionist Edvard Munch (1863–1944) for inspiration. Munch’s innovative working methods and defining themes of love, anxiety, illness, and death infused Johns’s work with new meaning, allowing him a broadened range of expression that propelled his return to recognizable imagery after a decade of abstraction.
 
This groundbreaking publication is the first to describe precisely how and when Johns began to explore Munch’s imagery and ideas.  At the same time, it takes a comprehensive view of each artist’s career, giving readers a deeper understanding of Johns’s connection to his predecessor. Through  new  scholarship  and  copious  illustration,  Ravenal  makes  the  persuasive  case  that Munch should be considered one of the catalysts for the sea change that occurred in Johns’s art of the early 1980s.