A debut psychological thriller about a woman who becomes emotionally entangled in a murder investigation because of something she witnesses on her daily commute.
Rachel takes the same commuter train every morning and every night. Every day she rattles over the same track junctions, flashes past the same stretch of cozy suburban homes. And every day she stops at the same signal and she sees the same couple, breakfasting on their roof deck, living the perfect life that Rachel craves for herselfa lifestyle she recently lost. She looks forward to observing this household every morning, even makes up names and narratives for its residents. Then one day Rachel sees someone new in their garden, and soon after, the woman who lived there disappears.
Unable to keep this information to herself, Rachel offers what she knows to the police, and in the process is drawn into the lives of the couple she thought of as Jason and Jess but whose namesshe has learned from the newsare really Megan and Scott Hipwell.
But the police accuse Rachel of being unreliable, and it’s true that her memories can’t always be trusted. Plus there are the stories that her ex-husband’s new wife has been spreading about her. By the time Megan’s body is found, Rachel is in over her head, intricately entangled in the details of the investigation, as well as in the lives of everyone involved. Has she put others in danger? Has she done more harm than good?
A compulsively readable, emotionally immersive, Hitchcockian thriller that draws comparisons to Gone Girl, The Silent Wife, or Before I Go to Sleep, this is an electrifying debut embraced by readers across markets and categories.
An Amazon Best Book of the Month, January 2015: Intersecting, overlapping, not-quite-what-they-seem lives. Jealousies and betrayals and wounded hearts. A haunting unease that clutches and won’t let go. All this and more helps propel Paula Hawkins’s addictive debut into a new stratum of the psychological thriller genre. At times, I couldn’t help but think: Hitchcockian. From the opening line, the reader knows what they’re in for: “She’s buried beneath a silver birch tree, down towards the old train tracks…” But Hawkins teases out the mystery with a veteran’s finesse. The “girl on the train” is Rachel, who commutes into London and back each day, rolling past the backyard of a happy-looking couple she names Jess and Jason. Then one day Rachel sees “Jess” kissing another man. The day after that, Jess goes missing. The story is told from three character’s not-to-be-trusted perspectives: Rachel, who mourns the loss of her former life with the help of canned gin and tonics; Megan (aka Jess); and Anna, Rachel’s ex-husband’s wife, who happens to be Jess/Megan’s neighbor. Rachel’s voyeuristic yearning for the seemingly idyllic life of Jess and Jason lures her closer and closer to the investigation into Jess/Megan’s disappearance, and closer to a deeper understanding of who she really is. And who she isn’t. This is a book to be devoured. -Neal Thompson
“I wait for the memory to come…” Open this book, start reading and within the first few pages, you’re likely to be hooked by one of the best psychological thrillers of the year. It’s a stunner.
ALCOHOLIC AMNESIA THE GIRL ON THE TRAIN is a dark, haunting and depressing psychological thriller, but it’s incredibly effective thanks to the writing skills of author Paula Hawkins. Rachel is a divorced woman who would do anything for a drink, and like a lot of folks consumed by a love affair with the bottle, one might call her a victim of circumstances. Her husband Tom had an affair that resulted in a pregnancy. He divorced Rachel, married the “other woman” and now all three (husband, wife and child) are…
Best Hitchcock style mystery of voyeuristic observation since Rear Window. Rachel is a woman who considers herself worthless. She feels that women are only valued for two things: their looks and their role as a mother. She is barren and rather plain looking. Unbeknownst to her landlady she has lost her job but continues to ride the commuter train twice a day. Unfortunately she must pass the home of her ex-husband Tom and his new wife Anna. They’ve recently had a child which is something Rachel was unable to produce when she was married to him. He’s moved his new…