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About The Importance of Being Earnest by Oscar Wilde
The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James’s Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play’s major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play’s humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde’s artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde’s most enduringly popular play. The successful opening night marked the climax of Wilde’s career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde’s lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde’s homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. The Importance of Being Earnest has been revived many times since its premiere. It has been adapted for the cinema on three occasions. In The Importance of Being Earnest (1952), Dame Edith Evans reprised her celebrated interpretation of Lady Bracknell; The Importance of Being Earnest (1992) by Kurt Baker used an all-black cast; and Oliver Parker’s The Importance of Being Earnest (2002) incorporated some of Wilde’s original material cut during the preparation of the original stage production.
An in-depth presentation of the funniest play ever written Oscar Wilde made his initial reputation as the master of the epigram: the trenchant and mordant, roughly haiku length flashes of insight into the comic absurdity of the world. No one in English Literature before or since has ever displayed such an effortless mastery of wit. “All women become like their mothers. That is their tragedy. No man does. That’s his.”Â
Great Play. Get a different edition! The poor review is for the edition and not the material. Avoid this Smith and Brown edition. As with many plays that are old enough to be in the public domain, there are numerous editions, some better than others. In fact, anyone with a Xerox machine can make their own edition of this play, and this is pretty close to that. This is the worst edition I have ever seen of a script. The formatting is ponderous and poorly done. Character names are barely differentiated from the text that they speak;…
Stay away from Dover Thrift Version The Dover Thrift edition is a highly abridged version. There are entire scenes and characters missing. And the ending is abruptly cut short. Spend the extra money on finding an edition with complete Oscar Wilde text.