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How They Decorated: Inspiration from Great Women of the Twentieth Century

How They Decorated illustrates some of the great rooms of the twentieth century, whose stylish residents influence our tastes today.
 
Gloria Vanderbilt cleverly noted, “Decorating is autobiography.” Reflecting that truism, the interiors in this book capture the individual approaches of these icons of style: Bunny Mellon’s spare all-American elegance; Hélène Rochas’s refined sophistication; Vanessa Bell’s colorful bohemianism; Mona von Bismarck’s breezy opulence; and Georgia O’Keeffe’s earthy chic. Author P. Gaye Tapp analyzes each of her subjects’ refined way of living, how she embellished her residences (or left them elegantly stark), and the long-lasting effects on today’s generation of designers and connoisseurs of beauty.
 
The book is presented in four sections that describe the aesthetic approaches that the ladies took in decorating their abodes: “The Fashionably Chic”, “The Unconventional Eye”, “In the Grand Manner”, and “Legacy Style”. Each interior illustrates the crucial aspect of the lady’s definitive taste. Some worked closely with decorating legends such as John Fowler, Albert Hadley, Billy Baldwin, Syrie Maugham, and Jean-Michel Frank. Others took to the task of decorating single-handedly—like Pauline Trigère, Sybil Connolly, Vita Sackville-West, and Fleur Cowles. The interiors of these trendsetting ladies defied their time and inspire and delight to this day. In How They Decorated, one can learn from the most notable style muses of the last century.

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On Tyranny: Twenty Lessons from the Twentieth Century

History does not repeat, but it does instruct.

In the 20th century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised to protect them from global existential threats, and rejected reason in favour of myth. European history shows us that societies can break, democracies can fall, ethics can collapse, and ordinary people can find themselves in unimaginable circumstances. History can familiarise, and it can warn. Today we are no wiser than the Europeans who saw democracy yield to totalitarianism in the 20th century. But when the political order seems imperilled, our advantage is that we can learn from their experience to resist the advance of tyranny. Now is a good time to do so.

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Norton Recorded Anthology of Western Music (Sixth Edition) (Vol. 3: Twentieth Century)

The newly expanded recorded anthology features updated recordings from some of the best performers and ensembles working today alongside classic recordings by great artists.

Early-music ensembles Sequentia, Altramar, Hilliard Ensemble, Anonymous 4, Tallis Scholars, La Chapelle Royale, and Les Arts Florissants.

Singers Paul Hillier, Ellen Hargis, Emma Kirkby, Maria Callas, Christa Ludwig, Luciano Pavarotti, Dietrich Fischer-Dieskau, Peter Pears, and Bethany Beardslee.

Harpsichordists Gustav Leonhardt and Trevor Pinnock.

Pianists Mitsuko Uchida, Rudolf Serkin, Vladimir Ashkenazy, and Pierre-Laurent Aimard.

Orchestras Berlin Philharmonic, Orchestre Revolutionnaire et Romantique, Vienna Philharmonic, New York Philharmonic, San Francisco Symphony, Concertgebouw Orchestra, and London Symphony Orchestra.

Opera companies La Scala of Milan, Bayreuth Festival Opera, Kirov Opera, and Royal Opera House at Covent Garden.

Chamber ensembles the Tokyo String Quartet, Guarneri String Quartet, and Beaux Arts Trio.

Jazz artists Louis Armstrong, Duke Ellington, Charlie Parker, and Dizzy Gillespie.

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The Inspiration of the Past: Country House Taste in the Twentieth Century

The twentieth century has seen an extraordinacy blossoming of enthusiasm for country houses, and, while on the one hand it
has been a period of destruction and dispersal, it has also been
a period of restoration, decoration and preservation as well as new building. In recent years the country house has had an
influence on taste and fashion in decoration in both Great
Britain and North America. This book concentrates on the rise of interior decoration as it is now understood. From the early
twentieth-century enthusiasm for the interiors of medieval and
Tudor houses such as Lytes Cary, Westwood and Cothay, followed by the rediscovery of eighteenth-century houses such
as Kelmarsh, Ditchley and Buxted and of the Regency style in the 1920s and 1930s; it continues the story through the depress¬ed condition of country houses in 1945 to the recovery of the 1950s, 1960s and 1970s, illustrated by, among other houses, Ramsbury, Haseley and Leixlip.
It is a book about people as well as places and it explores the connection between the concern of individuals for their houses and the development of the National Trust’s involvement with country houses since the mid-1930s.
The principal figure in the book is John Fowler, the interior decorator, who died in 1977. Through his work in the thirty
years after 1945 and his unconventional partnership with
Mrs Lancaster, herself a considerable influence on taste in houses on both sides of the Atlantic, he had a remarkable
influence on the look of country houses, on their decoration
and their restoration, and in the last ten years of his life he made an important contribution to the houses of the National Trust,
particularly through what he did at Shugborough, Sudbury and Clandon. Since his death his style has continued to influence decoration.