Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James’ Gothic ghost tale, The Turn of the Screw.
When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she’s seeing? Or is something far more sinister at work?
Having performed in films based on some of the greatest works in literature – including Sense and Sensibility, Howards End, Much Ado About Nothing, and Henry V – Thompson is no stranger to the classics, and she lends a graceful eloquence to this moody, macabre story. Joined by listener favorite Richard Armitage, who performs the prologue, Thompson reinvigorates this psychological thriller of life, death, evil, and the unknown.
ghosts or goblins Henry James’s tale is the last of the gothic Victorian novellas, with its richly developed sense of propriety– a semblance of manners and understatement concealing primitive subliminal impulse. Its dense, symbolic language penetrates deeply into the psyche. There is evil here. But its emanation is ambiguous and amorphous. The characters exist in a pervasive atmosphere of dread. The exact source of that dread has intrigued readers since it was written before the turn the (20th) century…
The Reason Henry James Continues to Enthrall A story told over a hundred years ago, and still sparking serious debate over its intention? Henry James must be proud. Now I like clear writing even more than the next fellow, but I find I really like the ambiguity and startling turns that both the dialogue and the plot take in Henry James’s stories. The answers to the simplest questions put to a character always elicit an unexpected response. This makes it tough on a reader, who lazily expects direct, routine answers. It’s unsettling and…
The Others Today’s readers may not find Henry James’s masterpiece “The Turn of the Screw” as creepy as it was when first published. To begin with, there is no gore in the book –the moments of horror are so subtle, but they get under one skin.Â