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The Turn of the Screw

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Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James’ Gothic ghost tale, The Turn of the Screw.

When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she’s seeing? Or is something far more sinister at work?

Having performed in films based on some of the greatest works in literature – including Sense and Sensibility, Howards End, Much Ado About Nothing, and Henry V – Thompson is no stranger to the classics, and she lends a graceful eloquence to this moody, macabre story. Joined by listener favorite Richard Armitage, who performs the prologue, Thompson reinvigorates this psychological thriller of life, death, evil, and the unknown.

The story starts conventionally enough with friends sharing ghost stories ’round the fire on Christmas Eve. One of the guests tells about a governess at a country house plagued by supernatural visitors. But in the hands of Henry James, the master of nuance, this little tale of terror is an exquisite gem of sexual and psychological ambiguity. Only the young governess can see the ghosts; only she suspects that the previous governess and her lover are controlling the two orphaned children (a girl and a boy) for some evil purpose. The household staff don’t know what she’s talking about, the children are evasive when questioned, and the master of the house (the children’s uncle) is absent. Why does the young girl claim not to see a perfectly visible woman standing on the far side of the lake? Are the children being deceptive, or is the governess being paranoid? By leaving the questions unanswered, The Turn of Screw generates spine-tingling anxiety in its mesmerized readers.

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3 thoughts on “The Turn of the Screw

  1. The Reason Henry James Continues to Enthrall A story told over a hundred years ago, and still sparking serious debate over its intention? Henry James must be proud. Now I like clear writing even more than the next fellow, but I find I really like the ambiguity and startling turns that both the dialogue and the plot take in Henry James’s stories. The answers to the simplest questions put to a character always elicit an unexpected response. This makes it tough on a reader, who lazily expects direct, routine answers. It’s unsettling and…

  2. The Others Today’s readers may not find Henry James’s masterpiece “The Turn of the Screw” as creepy as it was when first published. To begin with, there is no gore in the book –the moments of horror are so subtle, but they get under one skin. 

  3. Bartleby the Spinster Washington Square is a searing portrait of selfishness, cruelty and manipulation that brings a radically new psychological depth to the traditional 19th century novel of manners. In Dr. Sloper James created one of his most insidious characters; a clever, genial man of the world who would rather sees his principles confirmed than his daughter happy. Catherine, the plain victim of a suave fortune-seeking fiancé, has to rank with Melville’s Bartleby as a model of passive resistance. As she…

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