The gap between rich and poor has never been wider…legislative stalemate paralyzes the country…corporations resist federal regulations…spectacular mergers produce giant companies…the influence of money in politics deepens…bombs explode in crowded streets…small wars proliferate far from our shores…a dizzying array of inventions speeds the pace of daily life.
These unnervingly familiar headlines serve as the backdrop for Doris Kearns Goodwin’s highly anticipated The Bully Pulpit—a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air.
The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history.
The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S. S. McClure.
Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men.
The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals.
Please note, this MP3 CD will not play on traditional CD players. It will play on ipods, computers, and other portable MP3 players.An Amazon Best Book of the Month, November 2013: In an era when cooperation between the national media and the US government seems laughable, Pulitzer Prize-winning historian Doris Kearns Goodwin’s timely 100-year look backward explores the origins of the type of muckraking journalism that helped make America a better country. Focusing on the presidencies of Theodore Roosevelt and his successor, William Howard Taft–one-time colleagues and friends who later became sworn foes–Goodwin chronicles the birth of an activist press, which occurred when five of the nation’s best-ever journalists converged at McClure’s magazine and helped usher in the Progressive era. At times slow and overly meticulous, with a lot of backstory and historical minutiae, this is nonetheless a lush, lively, and surprisingly urgent story–a series of entwined stories, actually, with headstrong and irascible characters who had me pining for journalism’s earlier days. It’s a big book that cries out for a weekend in a cabin, a book to get fully lost in, to hole up with and ignore the modern world, to experience the days when newsmen and women were our heroes. –Neal Thompson
Category: Audio Books
Louis L’Amour Collection
This collection, presented in a wood gift box, gathers seven popular Louis L’Amour stories, performed by a star-studded cast. Willie Nelson reads six and one is fully dramatized by Nelson, Johnny Cash, Kris Kristofferson, and the late Waylon Jennings, who together were known as The Highwaymen. The collection includes:Riding for the Brand, The Black Rock Coffin Makers, Dutchman’s Flat, The Nester and the Piute, Mistakes Can Kill You, Trail to Pie Town, and Big Medicine.
Hero
Imagine if there was a map that showed you how to get from where you are now to the most brilliant, rich, fulfilling, and dazzling life you could ever dream of having. Imagine that this map showed you every step of the journey to that life; realizing your greatest dream, how to find the way over obstacles, how to overcome challenges, defy the odds, and how you already have every powerful ability and quality you need to be victorious on your journey.
You are holding in your hands such a map. This is the map for your life – this is the map to greatness.
Twelve of the most successful people living in the world today have followed this map. They share their seemingly impossible journeys, and reveal that each of us was born with everything we need to live our greatest dream, and that by doing so we will fulfill our mission, find everlasting happiness, and literally change the world.
This is why you are here on planet Earth.
The Minor Adjustment Beauty Salon
As Botswana awaits the familiar blessing of the rains and the resumption of the eternal cycle, seismic upheaval is taking place at the No. 1 Ladies’ Detective Agency. Not only is Mr J. L. B. Matekoni attempting to reform himself into a modern husband, but after her marriage to Phuti Radiphuti, Mma Ramotswe’s challenging but irreplaceable associate Mma Makutsi has joyful news. With the arrival of an heir to the Double Comfort furniture empire and Mma Makutsi busy with motherhood, cobras and a senior aunt, Mma Ramotswe must grapple alone with tea-making, detective work and a new uncertainty. Disturbing developments over the will of a local dignitary, Edgar Molapo, point to fraud and a shocking family secret, while tracing the source of a smear campaign against the Minor Adjustment Beauty Salon, in which notorious troublemaker Violet Sephotho may or not have a hand, proves to require a keen eye and an open mind. But the No. 1 Ladies’ Detective Agency is resilient and adaptable, and change brings salutary lessons: that our enemies are not always obvious, that a snake under the bed may be an ally, and that a mother’s love conquers all.
Giving In (The Surrender Trilogy)
From the “must-read author” (Romance Junkies) of Letting Go – the new novel in her Surrender Trilogy. In her sensational Breathless Trilogy, New York Times bestselling author Maya Banks tested the boundaries of desire. In her new trilogy, there’s only one thing left to do: cross them. Now, the story continues as one woman, haunted by the shadows of the past, explores the possibilities of a new beginning in ways she never could have imagined… Kylie sees the way Jensen looks at her. The dark promise in his eyes. That rough edge of dominance she knows he possesses. But dominance is the one thing that frightens her above all else. She and her brother barely survived a childhood steeped in violence and abuse. She could never give up total control and submit to a man. Especially a man like Jensen. Could she? Jensen sees the shadows in Kylie’s eyes. Knows he has to tread very carefully or risk losing any chance he has with her. All he wants is the opportunity to show her that dominance doesn’t equal pain, bondage, or discipline. That emotional surrender is the most powerful of all, and that to submit fully to him will fulfill the aching void in her heart in a way nothing else ever will.
Things That Matter: Three Decades of Passions, Pastimes and Politics
From America’s preeminent columnist, named by the Financial Times the most influential commentator in the nation, the long-awaited collection of Charles Krauthammer’s essential, timeless writings.
A brilliant stylist known for an uncompromising honesty that challenges conventional wisdom at every turn, Krauthammer has for decades dazzled readers with his keen insight into politics and government. His weekly column is a must-read in Washington and across the country. Now, finally, the best of Krauthammer’s intelligence, erudition and wit are collected in one volume.
Readers will find here not only the country’s leading conservative thinker offering a passionate defense of limited government, but also a highly independent mind whose views—on feminism, evolution and the death penalty, for example—defy ideological convention. Things That Matter also features several of Krauthammer’s major path-breaking essays—on bioethics, on Jewish destiny and on America’s role as the world’s superpower—that have profoundly influenced the nation’s thoughts and policies. And finally, the collection presents a trove of always penetrating, often bemused reflections on everything from border collies to Halley’s Comet, from Woody Allen to Winston Churchill, from the punishing pleasures of speed chess to the elegance of the perfectly thrown outfield assist.
With a special, highly autobiographical introduction in which Krauthammer reflects on the events that shaped his career and political philosophy, this indispensible chronicle takes the reader on a fascinating journey through the fashions and follies, the tragedies and triumphs, of the last three decades of American life.
Author One-on-One: Charles Krauthammer and Dana Perino
In this Amazon One-to-One, Charles Krauthammer and Dana Perino discuss Dr. Krauthammer’s new book Things That Matter: Three Decades of Passions, Pastimes, and Politics. Charles Krauthammer is a Pulitzer Prize-winning syndicated columnist, political commentator and physician. Dana Perino is a Former White House Press Secretary who worked with President George W. Bush, contributor and co-host of The Five on FOX News. She is a long-time friend and fan of Charles Krauthammer.
Dana Perino: Your new book covers three decades of your writings, divided into 16 chapters, and grouped into categories of the things that have mattered to you in your life. As you reviewed your body of work, were you surprised by anything that you had written? Did you ever think, “I can’t believe I ever thought that”?
Charles Krauthammer: No real surprises—I find that I agree with myself a lot—except for my enthusiastic review of Independence Day. Though I might’ve been unduly swayed by seeing the premiere with my son, then ten, who announced after the showing that he would see the movie every week for the rest of his life.
DP: The thing that has mattered most to you is your family. Your book opens with a column that could be called “a two-hankie job.” How hard is it to write about the people that you love, to give people a glimpse into your personal life?
CK: I didn’t become a writer to write about myself. In fact, I don’t even like using the word “I” in writing an opinion column, let alone a personal one. The only times I really have written about my own life is when it had a purpose outside myself, such as honoring a person, perhaps a friend or mentor, of extraordinary character.
DP: As a long-time fan of yours, there are some of your columns that I remember reading, and where I was when I read it, and how I said to my husband, “That’s exactly what I was thinking!” Do you know when a column is going to be a hit?
CK: Quite the opposite. I’m always amazed how wrong I am. A column that I think will sink like a stone might catch on like wildfire. Others that I’m proud and smug about as I submit for publication, leave no trace. Which is why I’m a writer, not a publisher. I wasn’t made for marketing.
DP: The original essay you penned for Things That Matter is like an award-winning exhibit of your heart and mind. What will readers learn about you that they may not have known?
CK: How improbable my life story is. I still wake up simply amazed how I’ve ended up where I am, mostly by serendipity and sheer blind luck. I started out as a doctor. I ended as a writer. And that’s the least of the stunning twists and turns that have defined my life—which I write about, for the first time, in the introductory essay to Things That Matter.
DP: You have become a must-read and a must-see on television news programs. Parents shush their children when you’re about to speak. On the rare Friday when you don’t have a column or when you’re not on Special Report with Bret Baier, your mom gets calls of “Where is Charles?” Disappointment hangs heavy over your fans. But who are your weekly must-reads?
CK: George Will. David Brooks. Mickey Kaus. And for that happy half of every year—April through October—the (daily) box score of the Washington Nationals.
DP: Do you think that your training as a psychiatrist has given you an advantage when observing people in politics?
CK: Actually, no. Psychiatry has everything to say about mental illness, very little to say about ordinary life. It offers no magical formulas for understanding human behavior beyond what any lay person can see. Although I do like to joke that there’s not much difference in what I do today as a political analyst in Washington from what I used to do as a psychiatrist in Boston—in both lines of work, I deal every day with people who suffer from paranoia and delusions of grandeur. The only difference is that the paranoids in Washington have access to nuclear weapons.
DP: You wrote a column on September 12, 2001 that is included in Things That Matter. How difficult was that to write under the time pressure of the day, and to keep your commentary to standard column length?
CK: Like the whole country, I was on fire with fury. I felt I simply had to write. The difficulty was less time pressure than emotional pressure—trying to suppress my feelings so I could be as analytical as possible. Sometimes that kind of writing can be disastrous. I think this one came out right.
DP: Given the mention in your essay, and because I have a gut feeling that we’re on the same page, what is your preferred style on serial commas?
CK: With commas the rule should always be: the fewer the better. They are a scourge, a pestilence upon the land. They must be given no quarter. When you list three things, it should be written: a, b and c. If you see a comma after the “b”—call 911 immediately.
DP: Many readers may not realize that you once were a Democrat? Was it a gradual or a spectacular breakup?
CK: Like most breakups, gradual. Like few breakups, however, without regret.
DP: You have covered politics and government since the Carter administration. Do you believe that America’s politics are too strained, too partisan, and too deranged to make meaningful progress?
CK: Not at all. What we need is not a new politics but a new president.
DP: What do you think will be the things that matter 20–30 years from now?
CK: The things that really matter, as I try to explain in the introductory essay—the cosmic questions of origins and meaning, the great achievements of science and art, the great mysteries of creation and consciousness—shall always be with us. Thirty years from now, 300 years from now. I hope that one contribution of this book will be to provide some illumination on these wondrous mysteries and achievements.
DP: If you had a magic wand and could get the U.S. federal government to do three things, what would be your top priorities?
CK: Abolish the income tax code with its staggeringly intrusive and impenetrable provisions and replace it with a clean consumption tax.
Get out of the race business and return the country to the colorblind vision of Martin Luther King.
Kill the penny.
The Goldfinch
“The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind….Donna Tartt has delivered an extraordinary work of fiction.”–Stephen King, The New York Times Book Review Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity.
It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.
The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.An Amazon Best Book of the Month, October 2013: It’s hard to articulate just how much–and why–The Goldfinch held such power for me as a reader. Always a sucker for a good boy-and-his-mom story, I probably was taken in at first by the cruelly beautiful passages in which 13-year-old Theo Decker tells of the accident that killed his beloved mother and set his fate. But even when the scene shifts–first Theo goes to live with his schoolmate’s picture-perfect (except it isn’t) family on Park Avenue, then to Las Vegas with his father and his trashy wife, then back to a New York antiques shop–I remained mesmerized. Along with Boris, Theo’s Ukrainian high school sidekick, and Hobie, one of the most wonderfully eccentric characters in modern literature, Theo–strange, grieving, effete, alcoholic and often not close to honorable Theo–had taken root in my heart. Still, The Goldfinch is more than a 700-plus page turner about a tragic loss: it’s also a globe-spanning mystery about a painting that has gone missing, an examination of friendship, and a rumination on the nature of art and appearances. Most of all, it is a sometimes operatic, often unnerving and always moving chronicle of a certain kind of life. “Things would have turned out better if she had lived,” Theo said of his mother, fourteen years after she died. An understatement if ever there was one, but one that makes the selfish reader cry out: Oh, but then we wouldn’t have had this brilliant book! –Sara Nelson
Before We Kiss (Fool’s Gold Series)
New York Times bestselling sensation Susan Mallery returns to Fool’s Gold, California, where it’s true that sometimes you have to kiss a few frogs… Former pro-football kicker Sam Ridge has notoriously bad luck with women—from cheaters to fame chasers. Still, the gorgeous brunette at the bar in Fool’s Gold looks harmless — until she takes him home and he discovers a room devoted to securing a man, for life. Dellina Hopkins never guessed that storing gowns from a friend’s bridal boutique would chase away her first and only fling. After her parents died, she skipped her “wild youth” to raise her sisters. She doesn’t want forever from Sam, but one night — all night — would’ve been nice. His clean getaway gets messy when his firm hires Dellina to plan an event. As long hours lead to late nights, the two succumb to temptation again. Has Sam’s luck finally changed? Or this time, will Dellina be the one to run?
Creole Belle: A Dave Robicheaux Novel
Languishing in a recovery unit on St. Charles Avenue in New Orleans, Dave Robicheaux is fighting an enemy more insidious than the one who put a bullet in his back a month earlier in a shootout on Bayou Teche. The morphine meant to dull his pain is steadily gnawing away at his resolve, playing tricks on his mind, and luring him back into the addict mentality that once threatened to destroy his life and family.
With the soporific Indian summer air wafting through the louvered shutters of his hospital room, and the demons fighting for space in his head, Dave can’t be sure whether his latest visitor is flesh and blood or a spectral reminder of his Louisiana youth. Tee Jolie Melton, a young woman with a troubled past, glides to his bedside and leaves him with an iPod that plays the old country blues song “My Creole Belle.”
What Dave doesn’t know is that Tee Jolie disappeared weeks ago, and no one believes she reappeared to comfort an old man with a bullet wound. Dave becomes obsessed with the song and the vivid memory of Tee Jolie, and when he learns that her sister has turned up dead inside a block of ice floating in the Gulf, he believes that putting the evils of the past to rest is more urgent than ever before.
Meanwhile, an oil spill in the Gulf brings back intense feelings for Dave of losing his father to a rig explosion years ago. As the oil companies continue to risk human lives in pursuit of wealth and power, Dave begins to see links to the Melton sisters, even when no one else shares his suspicions. Dave’s expartner Clete Purcel helps him search for Tee Jolie, though Clete fears for his friend’s mental health and safety. But Clete has his own troubles, too; he’s discovered an illegitimate daughter who may be working as a contract killer—and may have set her sights on someone he loves.
Creole Belle is a resurrection story for the ages, with James Lee Burke at the peak of his masterful career and Dave Robicheaux facing his most intense and personal battle yet, against the known and unknown forces that corrupt and destroy even the best of men.