Tag: Happiness

A dazzling, richly moving new novel by the internationally celebrated author of The God of Small Things
 
The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent—from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war.
It is an aching love story and a decisive remonstration, a story told in a whisper, in a shout, through unsentimental tears and sometimes with a bitter laugh. Each of its characters is indelibly, tenderly rendered. Its heroes are people who have been broken by the world they live in and then rescued, patched together by acts of love—and by hope.
The tale begins with Anjum—who used to be Aftab—unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her—including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo’s landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs’ Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi.
As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page the miracle of Arundhati Roy’s storytelling gifts.An Amazon Best Book of June 2017: To read The Ministry of Utmost Happiness is to immerse yourself in years of India’s religious, political, and cultural changes and to feel it all through the narrative of an incredible cast of characters. What becomes apparent throughout their individual stories is that power and belief are malleable, that suffering does not end but merely changes hands, and what is revered can easily become reviled. The latter shows up most clearly for Anjum, formerly Aftab, who becomes a famous Hijra in Delhi, only to later find herself keeper of a graveyard sanctum for others who are no longer welcome in the new society. Yes, there is a lot of violence and heartbreak in this novel, but Roy also suffuses it with humor, irony, and –more than anything– the ability of love and acceptance to heal the broken. Even when, or perhaps,especially when, it comes from places one would never expect. The Ministry of Utmost Happiness is complex and compassionate, and the heart and soul that Arundhati Roy so obviously gave to it is worth every one of the many years it’s taken to give us another fictional masterpiece. –Seira Wilson, The Amazon Book Review

A richly moving new novel – the first since the author’s Booker Prize-winning, internationally celebrated debut, The God of Small Things, went on to become a beloved best seller and an enduring classic.

The Ministry of Utmost Happiness transports us across a subcontinent on a journey of many years. It takes us deep into the lives of its gloriously rendered characters, each of them in search of a place of safety – in search of meaning and of love.

In a graveyard outside the walls of Old Delhi, a resident unrolls a threadbare Persian carpet. On a concrete sidewalk, a baby suddenly appears just after midnight. In a snowy valley, a bereaved father writes a letter to his five-year-old daughter about the people who came to her funeral. In a second-floor apartment, a lone woman chain-smokes as she reads through her old notebooks. At the Jannat Guest House, two people who have known each other all their lives sleep with their arms wrapped around each other, as though they have just met.

A braided narrative of astonishing force and originality, The Ministry of Utmost Happiness is at once a love story and a provocation – a novel as inventive as it is emotionally engaging. It is told with a whisper, in a shout, through joyous tears, and sometimes with a bitter laugh. Its heroes, both present and departed, have been broken by the world we live in – and then mended by love. For this reason they will never surrender.

How to tell a shattered story?

By slowly becoming everybody.

No.

By slowly becoming everything.

Humane and sensuous, beautifully told, this extraordinary novel demonstrates the miracle of Arundhati Roy’s storytelling gifts.